Chihuly is a name synonymous with the art of glassblowing. Dale Chihuly’s creations are admired, collected, and often imitated. Once your eyes have experienced his body of work, you will never be the same. It is simply that dynamic!
Through the kindness of collector extraordinaire George R. Stroemple, the Alamance Arts league in Graham, North Carolina, was able to procure a collection of Chihuly’s work for public exhibition. Recently, I had the good fortune of viewing it. Alamance Arts is located in a beautiful Queen Anne Revival home (circa 1873) which is rich with history significant to the area. The light found within the house is simply ideal for viewing these masterworks. Each piece seemed to glow as if touched by deity.
The particular day that I went to this retrospective, fellow patrons numbered many. As a means of maintaining safety, viewers were held to small groups. Waiting for my turn, I viewed a video sharing the story of Chihuly’s career. I am glad I was able to do such. It enlightened me of the depth of this artist’s character as well as the impact of his talents.
Dale Chihuly’s life began in 1941 as a resident of Tacoma, Washington. His career journey led him to follow his passion of glass arts, receiving educational degrees from 3 universities. Before he was 30 years old, he was the recipient of a Fulbright Fellowship which allowed him to further his glass blowing techniques with true maestros of this select art on the island of Murano in Italy. Subsequently, he returned to the USA, co-founding the Pilchuck Glass Studio, an international center focused on glass education.
In the 1970’s Chihuly experienced 2 life-changing accidents which left him both visually and mobility impaired. His passion for his art was not fettered. Instead, he remembered his experience in Italy and began to form a team of artisans who would work together to create his artistic vision from his sketches. Included among this group of uber-talented folk were the Italian master artists, Lino Tagliapietra and Pino Signoretto.
Together, this group produced the collection on view. The Venetian Series (1988-1996) is comprised of a 5 part chandelier (the Murano Laguna Chandelier), original drawings, Piccolo (miniature) vases, and Putti (cherub) Venetians. Vibrant colors, intricate forms, and fanciful ornamentation abound. Although great reverence is given to the original Venetian art form, a masterful hand has been applied to create a fresh and most energetic form of the art. I could only stand and stare, like a sponge wanton of content. My senses were reeling.
Perhaps even greater than these masterpieces is Chihuly’s emphasis on the importance of working with the community and encouraging other artists. This sentiment led him to create the Hilltop Artists program which works with at risk youth teaching them the art of glassblowing and the significance of team work. This important program is located in his hometown of Tacoma.
As I left the exhibition and was driving home, I could only think of what an incredible contribution to society this artist has made. Not only did he follow his passion and created art for the world to enjoy, but he gave of his knowledge and skill for the betterment of others. ----He looked beyond himself. He looked beyond the glass.
2 Comments
Sep 20, 2016, 10:32:39 AM
Kim - Awesome! I learned something new today. Thanks for sharing your knowledge!!!
Sep 20, 2016, 9:34:03 AM
Austin Rese - As Chihuly's talent is paramount, so is his compassion for others. Thank you for your kind support.